The Gingerbread Man

Fingerprince (original and Tourniquet of Roses versions)
Babyfingers
Commercial

all 4 Mole Trilogy albums

Check it all out in the new shopping and browsing boutique.
Let your fingers do the clicking.

The Census Taker soundtrack in now on RSD. So now if you love the movie when you watch it on the MGM-HD channel (see below) you can own the soundtrack.
Of course you can get an edit of the soundtrack by buying Whatever Happened to Vileness Fats? All the best tracks are there in my opinion.

It is not my job to tell you what to buy. I just make stuff available.

Though interestingly enough, this soundtrack was never issued on CD and this is the first appearance of the complete album since it was released in 1985.

New to RSD this week:
Freak Show (modern extended version.)
The original 13 minute release of Blowoff is now available for the curious (currently part of the modern extended version above.)
Prague and Beyond from the Ralph Anniversary Edition containing recordings from the Live Prague Freak show is also now on-line.

A fan has reported this to me....

For your info, in case you didn't know, the MGM-HD channel will be airing the 1984 film  "The Census Taker" in high definition on July 3 at 6:00 AM, July 11 at 7:50 AM, and July 26 at 2:05 AM (all times Eastern). Of course, this film features a backing soundtrack by the Residents and stars Garrett Morris. A link to the MGM-HD site follows. Just type in "Census Taker" in the upper right corner search box to verify.

http://www.mgmhd.com/

I don’t personally get that channel so I won’t be watching. I have seen the film though. It is unlikely to win any Oscars.

BTW.... you can get the music from the film on RSD. “Whatever happened to Vileness Fats” also contains music from “The Census Taker”.

Ralph AM Web site has a new look. And a new product.

Ralph is now pre-selling a Deluxe Mole Show Package for $120:

- CD of 70 minute radio special from 1982 just before the first Mole Show performance (not CDR)
This recording from 2JJJ in Sydney, Australia gives in-depth looks at what life was like in 1982 at 444 Grove Street.

- DVD of the first Mole Show (Kabuki theater) (single camera, in-camera sound) (not DVDR).
The long requested only known existing complete Mole Show taping. It is kind of rough around the edges, but no one knew at the time that it was going to be a historic document.

- 12 backdrop cards taken from the on-stage backdrops.
- chipboard package with rubber stamped art
- miniature shovel for digging down below, or digging The Residents.
- Burlap drawstring bag
- hand numbered edition of 400 - only 350 for sale

Ralph has also made a Moleshow tee available in 2 colors.

Check out Ralph AM!

Over the years, The Residents have been so prolific that it's easy to see that a year could have simply vanished and gone unnoticed. And one did - 1997, THE MISSING YEAR!

In the early to mid 90's, The Residents were quite active in the creation of CD-ROMs, releasing Freak Show, The GingerBread Man, and Bad Day on the Midway from 1992-95. With another CD-Rom, I Murdered Mommy, scheduled for 1996, the group expected to continue working in that direction for some time, but the CD-ROM market unexpectedly dried up and support for the project disappeared, leaving Mommy as yet another unfinished, semi-mythical masterpiece. So much time was devoted to writing and designing the CD-Rom that, other than some soundtrack music for the game and a short side project, Pollex Christie, no music was recorded in 1996.

Having lost so much time on a dead concept, 1997 finally arrived, but the new year was not so happy. For the first time in decades, The Residents had absolutely nothing in the works.  No CD-ROM, no album, no plans. 1997 was born dead. And truthfully, the year never got much better, but the group did begin moving in some interesting new directions.

Creatively, The Residents saw Pollex Christie as a successful experiment, consequently they decided to follow it up with another highly experimental, classically styled piece. Moving quickly, in the spring of 1997, the group began work on a new 15 min work, Disfigured Night, and soon roughed out a MIDI arrangement. (1997: the missing year -The Original Disfigured Night arrangement) instrumental - 15 minutes.

A few weeks later, The Cryptic Corporation received a call from long time lighting collaborator, Chris McGregor. Chris had accepted a job as technical director for a benefit helping the Tech Museum in San Jose and asked if The Residents were interested in participating in the fund-raiser. While this was not the kind of project the group normally became involved in, The Residents were looking for both stimulation and new directions, so they immediately accepted the invitation. With little time to prepare, they grabbed what they had: the Disfigured Night work, some scattered unfinished music sketches, and an epic version of We Are the World - and took off for San Jose. (1997: the missing year -Scattered unfinished music sketches and We Are the World) instrumental - 40 minutes.

Inhabiting a position that normally would have been occupied by a string quartet, The Residents performed for a small, but wealthy crowd in San Jose. As the unsuspecting patrons entered the event, the group was seen perched 30 feet above the entrance to the cavernous lobby of software giant Adobe's world headquarters.  Needless to say, The Residents hour long set was not quite what the rich nerds expected. Making sure no one missed it, the group performed the set, made up of a mix of prerecorded and live elements - some planned and some spontaneous - four times, and quickly left town. (1997: the missing year -Adobe Disfigured Night) music /vocals - 46 minutes.

Also volunteering at the fund raiser was the house manager for the Fillmore in San Francisco. After seeing The Residents' performance, the promoter was so excited, he immediately invited the group to perform five shows at The Fillmore the following Halloween. Having never played this historic venue before, The Residents immediately accepted and began preparations.

Soon another request came in, this time from the unlikely source of Marlboro cigarettes - in Germany.  Searching for an event on which to focus their advertising at the Popkomm music trade show in Cologne, the tobacco giant suggested a short performance, 20-30 minutes in length, that could be video taped for television; it was to be performed 3 or 4 times with a changing audience. The small crowd was limited to people who won tickets in response to cigarette ads. (Leaving no opportunity for addiction unanswered, Marlboro also showered the audience with free smokes while waiting to take their turn as an audience member.) Aided by MTV producer and friend, John Payson, The Residents adapted a piece from the Adobe performance, transforming it into a 30 minute performance vehicle, Disfigured Night.  The Residents performed Disfigured Night four times that evening; several months later, the piece was later broadcast on national television in Germany. (1997: the missing year -The Marlboro Eyeball Experience [Disfigured Night]). music/vocals - 30 minutes.

By the time Halloween arrived, The Residents had reworked the Marlboro event into a tighter performance that would become the second act of the Fillmore show.  For the first act they assembled a new set comprised of selections primarily made up of music from the CD-Rom era. (1997: the missing year -The Fillmore dress rehearsal [act one]). music/vocals - 60 minutes.

The Fillmore shows were a great success and The Residents returned again to the Fillmore in 1998.  But that is another story. (1997: the missing year -Live at The Fillmore). music/vocals - 108 minutes.